Commissioning a piece can be just the thing to help move your ensemble or solo work to the next level of involvement and achievement. Being part of the process from the ground up in creating a work of art can create a connection to a piece that leads to the kind of committment in rehearsal and performance that cannot be duplicated any other way.

The first stage is simply exploring the possibilities. Who would perform the piece? What are their technical capabilities? I like to write pieces with an appropriate difficulty level, so that people feel they have gotten to really use and extend their skills, but are technically capable of a completely successful performance. For choral and solo vocal works, what words shall we use?

We then get down to the nitty gritty of timing, my availability, and cost. When an agreement is reached and the piece completed, it is my preference to spend time with the performers working on the piece and attend the premiere whenever possible. "Meet The Composer" can often be part of making that possible.

I am a member of the American Composer's Forum, who can help with this process. Check out their information on commissioning.

I have been commissioned for many different types of vocal and instumental projects, by individuals, high schools, universities, and churches. I would be happy to supply references.

Whether your project is just a vague idea or is more developed, please feel free to contact me and we can start a conversation. That exploration of a project is always free, and does not imply committment.